Siempre he trabajado en mis mezclas en paralelo, cambiando rápidamente entre notas aromáticas para explorar diferentes conjuntos y desarrollar ideas con cohesión y diferenciación.
Poeticus se basa en la base de Osmanthus de Nectar , agregando la frescura brillante del Jonquille y la profundidad verde e indólica del Narciso.
Pero este no es un Narciso cualquiera: es Poeticus. Con su perfil de melocotón y albaricoque que se funde a la perfección con el vibrante Osmanthus, posee un rico carácter indólico que evoca la opulencia del jazmín y el nardo.
El cálido resplandor ámbar del sándalo y un toque exuberante de mango profundizan la composición, mientras que Silani Oud de Yaaseen la envuelve en una manta terrosa y resinosa.
Aún así me preguntaba: ¿podría ser aún mejor?
Mientras revisaba mi colección, recordé una joya: un Kewra añejo, de más de 30 años, procedente de las reservas privadas de un perfumista en la India. Añadirlo a la mezcla fue transformador. Su profundidad y complejidad almizcladas aportaron una impresionante riqueza floral, añadiendo una nueva dimensión.
Lo que antes parecía incompleto ahora tiene profundidad, complejidad y elegancia. Ahora es poético: un attar para tomar sentado e inhalar.
Ma Sha Allah beautiful blend, enchanting smell and very addictive
O
OudGrouse
Nectar Poeticus 🏵️🪷🍯🥭
Most aptly named Elkhaldi I've yet to smell.
Opening: Immediately I'm hit with this yellow, honeyed sickly mango and dense sweet narcissus and a slight soured green apple. There is a furry sweet stink just barely noticeable. Imagine a field of yellow flours beneath scattered apple trees with bees buzzing among the flowers and a large flock of goats and other beasts jumping and tromping around playfully in the distance.
Dry Down: soft powdery florals, juicy fruity oud
Incredible daytime summer or spring scent.
One of the best things I have ever smelled.
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B H
Beautiful rose incense
What can i say that wasn’t already said?
If you’re a fan of Kodo sessions then this is for you.
Incense, rose and a beautiful base as always. To my nose the opening is almost like smelling incense while being surrounded by roses, the white rose otto is so beautiful and crisp, the superior quality of the otto used is very clear. As for the base it’s just magnificent the Taifi is there and the papaun oud also, i can pick them up individually and also as a single note at the same time! I guess thats the magic of the two souls melange that was used here.
Qinan Rose
B H
For the playful Cambodi lover
Crimson Cambodi is magical for someone like me. The scent is super fruity at the beginning the red berries are very apparent, slowly as the scent transitions you’re met with an earthy patchouli that is to die for! The scent finally settles to a beautiful oudy base but the surprise is that those red fruity accords turn into beautiful florals that accompany the oud in the base in the most beautiful way possible!
Crimson Cambodia
J.
Rose light sparkling on oud
Qinan Rose is an oud-rose. But saying that is like saying a great jazz performance is just the tune as written in a few lines in the book of standards. The Elkhaldi blend that Qinan Rose reminds me most of is Ghazali HIndi, but they are completely different. That's jazz for you.
To me, Ghazali Hindi is a single, luminous rose nestled in a cave of deep, rich Hindi oud. Light emanates from the rose, illuminating the oud. The oud in turn reflects different facets of the rose that we might not have appreciated otherwise.
There's no cave with Qinan Rose. This is a luminous rose that calls to mind the play of light on water. The Taifi rose is lifted, almost fizzy or bubbly. By that I don't mean frivolous at all. It dances, like light on water. As the perfume wears, that water becomes more and more the ouds, and more still. Whereas the blend started with luminous flickering, it relaxes into calm, meditative waves. The rose stays around, but as a compliment and support for the ouds. The ouds themselves are almost diaphanous. I'm no expert on Chinese oud, and haven't often enjoyed it. But there's no bitter medicinal here. The blend is cohesive and resinous without being heavy. That's a common theme of this blend, richness and complexity without heaviness.
The materials used here mean that the blend is expensive. But Maher has created something special that's unique in his work thus far.
Qinan Rose
Maximilian Taupe
A Mastercalass in Parfumerie
Recantly bought my First fragrance and Civet Regal is everything I wanted and much more. Love it so much
elkhaldi.studio
Shah Harun
Of Florals & Musks
The Ghazali series first caught my attention at a fragmeet. Wow. And I was pretty late to the Elkhaldi party so of course everything was already sold out when I wanted one. So imagine my delight when Maher announced there will be one last iteration of the Ghazali. Alhamdulillah very happy to finally have this in the collection.
Ghazali Finale is made for the fragrance aficionado with a penchant for florals and musks. It exudes class and royalty like a ghaliyah, but will not be out of place if worn in a casual and informal setting. Ghazali Finale is not made for occasions, it sets the occasion. The tone. The mood.
I’ve rationed the amount of times I get to wear this, as you know, Maher doesn’t do re-releases. And I look forward to every single time I get to wear it. As cliche as it sounds, this is more than just a perfume, it is a truly beautiful experience. Well done Maher my brother, Allahumma barik.
If you are a Cambodi fan, you cannot pass on owning one of these. The rarest of the rare, premium stuff. Stronger than any Cambodi blend I've ever owned. Incredible depth and unfurls for hours. Extreme longevity. A triumph.
Crimson Cambodia bursts open with a vibrant chorus of red fruits: cherry, raspberry, strawberry, blueberry, and a tart ribbon of blackcurrant. It is jubilant but not cloying, the kind of fruitiness that feels ripe and mature, not candy-sweet. As the brightness subsides, the composition deepens, the juicy notes tethered by aged patchouli, rayong, and the noble density of Koh Kong. What lingers is a dignified interplay of blackcurrant and cambodi oud, a whisper of fruit woven into smoky, resinous wood. The result is a fragrance that feels exuberant in its opening, yet solemn and commanding in its drydown. It is fruit with gravitas, a fragrance that wears like a velvet cloak of color and shadow. Long wear.
The opening of Qinan Rose greets you with a delicate yet commanding breeze of Taifi rose, crisp, airy. Almost immediately, the star of the composition, the rare qinan, unfurls with a depth that is at once grounding and luminous. Its resinous warmth elevates the floral into something spiritual, contemplative, and rare. The scent wears with remarkable longevity. It recalls childhood Ramadan iftars where the air is heavy with incense and anticipation, or the tranquil presence of an elder reciting Qur’an: dignified, serene, yet luminous with hidden emotion.
This is not just a rose fragrance; it is addictive, a meditation in scent, a Kinami masterpiece. I anticipate it will be a new instant cult favorite.
What can i say that wasn’t already said?
If you’re a fan of Kodo sessions then this is for you.
Incense, rose and a beautiful base as always. To my nose the opening is almost like smelling incense while being surrounded by roses, the white rose otto is so beautiful and crisp, the superior quality of the otto used is very clear. As for the base it’s just magnificent the Taifi is there and the papaun oud also, i can pick them up individually and also as a single note at the same time! I guess thats the magic of the two souls melange that was used here.
